Archives par mot-clé : author

#4207 : author : John Berryman

photo: elusive kerero, Brooks sanctuary, Nelson

John Berryman is considered by some to be the greatest of American poets. However, I only discovered him recently, on the occasion of the posthumous publication of « Only Sing: 152 Uncollected Dream Songs », regarded as the continuation of « Dream Songs », which earned him the Pulitzer Prize for Poetry in 1964. He was born in 1914 and died in 1978 by suicide. He was deeply affected by the death of his own father, who committed suicide when the boy was eleven. He suffered from depression and alcoholism for much of his life. He belongs to the Confessional poetry school (Sylvia Plath is also part of it). I greatly admire his syntax, his original use of punctuation, his honesty, his lack of embellishment, his sarcastic, often cynical and ironic side, which some critics have described as « lowdown buffonery ». He is sometimes difficult to follow (I have to read him in English as there is no systematic French translation of his work). Despite the very dark side of his life and sometimes of his writing, I find that his poetry, even when he is gloomy, full of life and the simplicity I love in writing. To give you an idea of his talent, an excerpt from one « Dream Song 14 »

Life,friends, is boring. We must not say so. After all, the sky flashes, the great sea yearns, we ourselves flash and yearn, and moreover my mother told me, as a boy, (repeatingly) ‘Ever to confess that you are bored means you have no inner resources’. I conclude now I have no inner resources because I am heavily bored.

Ernest Heminghway, La Habana and rum

New Image
La Habana, Cuba, January 2018, canon digital, ©Sylvie G
I read only one book by Ernest Heminghway, The Old Man and the Sea, when I was very young, but this book has left a mark on me. Heminghway’s « iceberg » style is part of my quest for simplicity when I  write prose or poetry. I did not know much about him when I was in La Habana, but I could not miss the mention of his name in many places, including the Ambos Mundos hotel, where he lived in the thirties ( he lived in Cuba for about twenty years). It inspired me to read more about this tragic author: four marriages, a lot of alcohol, physical and psychological suffering, he is part of a family where suicide was passed from generation to generation and himself committed suicide at the age of sixty-one. But this Nobel Prize winner has left his style as a legacy. I think of all this when  passing  by the hotel, which is beautiful. The bar on the ground floor is inviting, but the only place I did not like at all to Habana: not only there was  no more coffee,  tea or  local beer (which  can be forgiven), but it was also the only place where the two musicians were not at all up to the standards and not at all nice,  the opposite of what I experienced elsewhere  in La Habana. Then I tried the Floridita, Heminghway’s favorite bar, but the excellent music was too loud and there were really too many people.

But most of all, I was  at the end of my journey in the Caribbean and I still had not had any rum, which is everywhere in the region and  very cheap. Even in Martinique, where  the best rum of the Caribbean is found (according to the « taximan » and an Italian sommelière met on the ferry between Martinique and Saint Lucia), I was content to smell it in a glass without really wanting to drink it. But at La Habana, it seemed appropriate to drink  rum, as long as it was the same as the one Hemighway had. In an anonymous bar, the list of daiquiris was long, the bartender told me Hemingway drank rum and ice, confidently.
I woke up the next day (well, not really, I spent the day in bed)  with a huge headache, with the satisfaction to have tried rum (for the first and the last time), the same as Hemingway (well, maybe).